Emily Cooper (Lily Collins) finally feels like she belongs in Paris. Season 2 of Netflix’s romantic comedy hit “Emily in Paris” ended with its titular marketing guru at a crossroads. Should she return to her life in Chicago, or stay in her messy new life á Paris? She tried to choose Paris, but breaking up with her American (and very pregnant) boss Madeline (Kate Walsh) was no easy feat. And thus, “Emily in Paris” Season 3 begins with a series of almost slapstick routines as Emily tries to be in two places at once without bothering anybody. Can she make it to both a client dinner at the Eiffel Tower and her boyfriend’s going away party? Who will get first dibs on the McDonald’s account, the old firm or the new? It’s exhausting and quickly goes predictably wrong, but that’s when Season 3 suddenly kicks into a new gear, and the show becomes better than it’s ever been.
‘Emily in Paris’ Season 3 Review: Netflix Series Finds Its Sweet Spot in the Best Season Yet
Just as Emily has figured herself out, the divisive show has done the same
