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Sundance

  • ‘I Saw the TV Glow’ Director Explains How ‘Buffy’ Fandom Inspired Personal Tale of Queer Experience | Video

    Sundance 2024: “It’s much more about feeling so in love with a television show because you’re not able to be present and be yourself in the real world,” Jane Schoenbrun tells TheWrap

    By

    Adam Chitwood
    January 21, 2024 @ 8:27 AM
    Sundance
    8:27 AM
    ‘I Saw the TV Glow’ Director Explains How ‘Buffy’ Fandom Inspired Personal Tale of Queer Experience | Video
  • ‘Love Lies Bleeding’ Review: Kristen Stewart Shines in Blood-Soaked Revenge Story

    Sundance 2024: “Saint Maud” filmmaker Rose Glass’ second feature relishes sex, love and violence as she makes the audience squirm

    By

    Matthew Creith
    January 21, 2024 @ 8:08 AM
    Sundance
    8:08 AM
    ‘Love Lies Bleeding’ Review: Kristen Stewart Shines in Blood-Soaked Revenge Story
  • ‘My Old Ass’ Star Maisy Stella Breaks Down Sharing a Character With Aubrey Plaza: ‘Her Eyes Were Filming Me’ Every Time We Talked | Video

    Sundance 2024: “I’ll never wrap my head around it” Stella tells TheWrap

    By

    Andi Ortiz
    January 21, 2024 @ 8:00 AM
    Movies
    8:00 AM
    ‘My Old Ass’ Star Maisy Stella Breaks Down Sharing a Character With Aubrey Plaza: ‘Her Eyes Were Filming Me’ Every Time We Talked | Video
  • ‘American Society of Magical Negroes’ Star Justice Smith Says Movie Is ‘Stretching the Monolith of Black Art’ | Video

    Sundance 2024: “This system is so layered and the way we’ve metabolized it is so complex,” Smith tells TheWrap

    By

    Kristen Lopez
    January 21, 2024 @ 6:00 AM
    Movies
    6:00 AM
    ‘American Society of Magical Negroes’ Star Justice Smith Says Movie Is ‘Stretching the Monolith of Black Art’ | Video
  • ‘My Old Ass’ Review: Aubrey Plaza Delights in Thoughtful Comedy That Should Be More Unconventional

    Sundance 2024: Plaza returns to Sundance with a story about imperfect maturity

    By

    Ariana Martinez
    January 20, 2024 @ 9:45 PM
    Movies
    9:45 PM
    ‘My Old Ass’ Review: Aubrey Plaza Delights in Thoughtful Comedy That Should Be More Unconventional
  • ‘Krazy House’ Director Steffen Haars’ Says He Wanted to ‘F—k’ Up the ‘Safe World’ of American Sitcoms | Video

    Sundance 2024: “The idea that if something goes terribly wrong interested us for a long time,” Haars tells TheWrap

    By

    Raquel 'Rocky' Harris
    January 20, 2024 @ 9:00 PM
    Sundance
    9:00 PM
    ‘Krazy House’ Director Steffen Haars’ Says He Wanted to ‘F—k’ Up the ‘Safe World’ of American Sitcoms | Video
  • ‘Seeking Mavis Beacon’ Review: A Joyous Look at a Shadowy Pop Culture Figure

    Sundance 2024: Jazmin Jones and Olivia McKayla Ross’ documentary is a fun tale of a forgotten typing master

    By

    William Bibbiani
    January 20, 2024 @ 7:00 PM
    Movies
    7:00 PM
    ‘Seeking Mavis Beacon’ Review: A Joyous Look at a Shadowy Pop Culture Figure
  • ‘Sasquatch Sunset’ Star Riley Keough and Co-Stars Relished the Chance to ‘Go Feral’ But Still Have ‘This Real, Emotional Journey’ | Video

    Sundance 2024: Keough admits to TheWrap that “the real, biggest question I had was, could I do it?”

    By

    Andi Ortiz
    January 20, 2024 @ 7:00 PM
    Sundance
    7:00 PM
    ‘Sasquatch Sunset’ Star Riley Keough and Co-Stars Relished the Chance to ‘Go Feral’ But Still Have ‘This Real, Emotional Journey’ | Video
  • Emotionally Devastating Doc ‘Sugarcane’ Stuns Sundance With Story of Catholic Abuse, Native Trauma

    Sundance 2024: Visibly overwhelmed directors Julian Brave NoiseCat and Emily Kassie were met with a standing ovation at their premiere

    By

    Adam Chitwood
    January 20, 2024 @ 6:36 PM
    Movies
    6:36 PM
    Emotionally Devastating Doc ‘Sugarcane’ Stuns Sundance With Story of Catholic Abuse, Native Trauma
  • ‘Winner’ Review: Emilia Jones Can’t Save This Perfunctory Portrait of a Whistleblower

    Sundance 2024: Though it finds occasional moments of resonance, this take on the true story is too broad to leave an impact

    By

    Chase Hutchinson
    January 20, 2024 @ 6:23 PM
    Movies
    6:23 PM
    ‘Winner’ Review: Emilia Jones Can’t Save This Perfunctory Portrait of a Whistleblower
  • ‘Black Box Diaries’ Review: Shiori Ito’s Look at Her Own Sexual Assault Is Marvelous and Impactful

    Sundance 2024: The film shows other survivors that it is possible to rebuild yourself while finding meaningful justice

    By

    Lex Briscuso
    January 20, 2024 @ 4:15 PM
    News
    4:15 PM
    ‘Black Box Diaries’ Review: Shiori Ito’s Look at Her Own Sexual Assault Is Marvelous and Impactful
  • Saoirse Ronan Recounts ‘Out of Body Experience’ Helping a Sheep Give Birth in ‘The Outrun’ | Video

    Sundance 2024: “It was the most amazing experience separate from making the film, [and] honestly as as a woman as well,” Ronan tells TheWrap

    By

    Dessi Gomez
    January 20, 2024 @ 4:00 PM
    Movies
    4:00 PM
    Saoirse Ronan Recounts ‘Out of Body Experience’ Helping a Sheep Give Birth in ‘The Outrun’ | Video
  • ‘Little Death’ Review: Dominic Fike and Talia Ryder Steal the Show In Surrealist Hollywood Story

    Sundance 2024: Jack Begert’s music video experience pays off in his visually stunning directorial debut

    By

    Ronda Racha Penrice
    January 20, 2024 @ 2:30 PM
    Movies
    2:30 PM
    ‘Little Death’ Review: Dominic Fike and Talia Ryder Steal the Show In Surrealist Hollywood Story
  • ‘A Real Pain’ Review: Kieran Culkin Is a Force of Nature in Jesse Eisenberg’s Hilarious, Heartfelt Dramedy

    Sundance 2024: Fresh off his Emmy win, the ‘Succession’ star proves to be a comedic wrecking ball

    By

    Chase Hutchinson
    January 20, 2024 @ 2:15 PM
    Movies
    2:15 PM
    ‘A Real Pain’ Review: Kieran Culkin Is a Force of Nature in Jesse Eisenberg’s Hilarious, Heartfelt Dramedy
  • ‘Never Look Away’ Director Lucy Lawless Says Photojournalist Margaret Moth’s Story ‘Possessed’ Her | Video

    Sundance 2024: “She ought to be legendary,” Lawless tells TheWrap

    By

    Kristen Lopez
    January 20, 2024 @ 2:00 PM
    Movies
    2:00 PM
    ‘Never Look Away’ Director Lucy Lawless Says Photojournalist Margaret Moth’s Story ‘Possessed’ Her  | Video
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