Genre Rules Sundance So Far: Blood, Guts and Sex-Filled Movies Tackle Social Issues

The Park City festival has been marked by films that couch socio-political issues in more marketable genre trappings

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Courtesy of A24 and Sundance Institute

The buzziest movies of the Sundance Film Festival so far speak to a new trend in indie cinema: social commentary packaged as genre films.

  • The Pedro Pascal-led “Freaky Tales,” playing in the premieres section, is a hyper-violent, VHS-era romp that’s also about the rise of neo-fascist groups in Oakland in the 1980s.
  • A24’s trippy “I Saw the TV Glow” is a dreamlike allegory about the trans experience, which follows two teens so uncomfortable in their own skin that they long for the world of a fictional “Buffy the Vampire Slayer”-esque TV show to be their reality.
  • “Sasquatch Sunset” finds Jesse Eisenberg and Riley Keough playing the hairy creatures in a tale that’s ultimately about the destruction of the environment.

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