Cannes Report
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‘Rumours’ Jokes About Looming Apocalypse – But It Isn’t That Funny, Is It?
Cannes 2024: The film starring Cate Blanchett and Charles Dance is a mix of genres that aims for satire but doesn’t quite achieve coherence
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Cannes Day 4: ‘Kinds of Kindness’ Kind of Confuses
Plus, Judith Godrèche weighs in on Weinstein, Nicolas Cage delights with ‘The Surfer,’ and Neon bets big on Osgood Perkins
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‘Emilia Perez’ Review: Jacques Audiard’s Gonzo Telenovela About a Trans Kingpin Is a Home Run
Cannes 2024: The French director’s latest is a big swing that hits the ball out of the park
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Neon Nabs ‘Seed of the Sacred Fig,’ From Iranian Director Who Fled Flogging in Home Country
Mohammad Rasoulof’s newest film premieres at Cannes on May 24
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‘Caught by the Tides’ Review: Jia Zhangke Stands Up for China but Watches Things Fall Apart
Cannes 2024: The film is an elegy of sorts, at times angry and abrasive but more often gentle and reflective
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‘Universal Language’ Review: Matthew Rankin’s Wonderfully Absurdist Vision Is Mirthful and Melancholic
Cannes 2024: This audacious comedy is as delightfully funny as it is subtly reflective
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‘Oh, Canada’ Star Richard Gere Says ‘Artists Will Find a Way to Communicate’ in the Face of Oppression
Cannes 2024: Gere, Uma Thurman and director Paul Schrader talked about inspiration and impact at the press conference for their new film
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Francis Ford Coppola Hasn’t Seen Those ‘Megalopolis’ Reviews Yet
Cannes 2024: “I’m told it went over very well,” says the legendary director of his wild and divisive epic
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Emma Stone Bombarded With Sex Scenes Questions in Uneasy ‘Kinds of Kindness’ Press Conference
Cannes 2024: Despite having the entire cast on hand, most questions during the presser were directed at the Oscar winner about sex in the film
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‘The Shameless’ Is a Devastating Tale of Female Survival in India
Cannes 2024: Two searing performances anchor this tale of love and survival
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French Actress and #MeToo Activist Judith Godrèche Slams Harvey Weinstein Conviction Reversal as an ‘Absolute Nightmare’ | Video
The former child star speaks with TheWrap at Cannes about her A24 short film “Moi Aussi”
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‘Three Kilometres to the End of the World’ Review: Emanuel Parvu Examines Reactionary Conservatism From the Inside
Cannes 2024: The actor-turned-director peers into an insular Romanian community in the aftermath of a hate crime
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‘Oh, Canada’ Review: Paul Schrader Gets the Better of Himself in Richard Gere Reunion
Cannes 2024: The “First Reformed” filmmaker’s latest is a head-scratcher – and not in a good way
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‘An Unfinished Film’ Review: This Pandemic Portrait of Moviemaking, Loss and Community Is Crushing
Cannes 2024: Lou Ye’s latest film is one of the few about the pandemic to get it right
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Cannes Day 3: Francis Ford Coppola’s ‘Megalopolis’ Mystifies, ‘Bird’ Beguiles
Reactions to the Palme d’Or contenders, plus “Last Breath” gets picked up
