‘Babygirl’ Review: Nicole Kidman Goes Dom-Com for Safe, Commercial Kink

Venice Film Festival: The A24 film is a descendant of “Fifty Shades” without much bite

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Nicole Kidman and Harris Dickinson in "Babygirl" (A24)

Like a sheep in wolf’s clothing, Halina Reijn’s surprisingly genteel “Babygirl” might bare the occasional fang, but it doesn’t have much bite. For all the superficial similarities to “50 Shades of Grey” — here too setting a lightly sadomasochistic relationship within a world of affluence, all while tacking on a much dreaded age-gap imbalance to send social media’s most ardent moralists into a tizzy — this dom-com plays more like an outré spin on “Working Girl,” updating Reagan-era wishcasting for the social set that has decided Kamala Is Brat.  

Premiering at this year’s Venice Film Festival and set for release this December, “Babygirl” could easily emerge as a holiday season guilty pleasure, a sexy-but-never-dangerous star romp that streamlines kink for maximum commercial play.

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