Cannes Report
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‘Kinds of Kindness’ Review: Yorgos Lanthimos Brings Back Emma Stone and Willem Dafoe for a Surreal Creep-Fest
Cannes 2024: “The Favourite” and “Poor Things” were fun, but this trio of dark and disturbing stories is old-style Lanthimos
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‘Megalopolis’ Director Francis Ford Coppola Slams Studio System at Cannes: ‘The Studios Are in Great Debt’
The filmmaker and his cast also defended Coppola’s grand vision and touched on Donald Trump during the divisive film’s press conference
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‘Meeting With Pol Pot’ Is a Lesson in Genocide
Cannes 2024: It’s a great time to revisit the story of a left-wing regime that in its savage pursuit of a just society instead murdered a quarter of its people
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‘Megalopolis’ Review: Francis Ford Coppola’s Epic Sprawl Is Grandiose and Goofy
Cannes 2024: This is a project of operatic pronouncements, didactic repetitions and mad artistic ambitions – quite a few realized, just as many not
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Meryl Streep Explains Why Her Love Scene With Robert Redford Was Her Favorite: ‘I Didn’t Want It to End’
“It’s a sex scene in a way, because it’s so intimate,” the acting legend shares of her iconic “Out of Africa” shampoo sequence
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‘On Becoming a Guinea Fowl’ Review: African Story Slips Between Fable and Hard Reality
Cannes 2024: Rungano Nyoni’s follow-up to “I Am Not a Witch” is timely, but it also exists completely out of time
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Cannes Day 2: ‘Furiosa’ Turns the Croisette Into the Wasteland
Plus: “Megalopolis” goes IMAX and a “Silent Hill” sequel
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‘Bird’ Review: Andrea Arnold’s Arresting, Surreal Drama Soars
Cannes 2024: Franz Rogowski and Nykiya Adams anchor a touching coming-of-age tale with a big swing
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Anya Taylor-Joy on Those ‘Furiosa’ Action Scenes: ‘It Doesn’t Make Any Sense How Safe This Film Was’
Cannes 2024: “Our one priority was not to injure anybody,” producer Doug Mitchell says of the high-octane George Miller film
By
Matthew Creith -
‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama
Cannes 2024: With a killer score and stunning visuals, this film descends into darkness
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‘Furiosa: A Mad Max Saga’ Review: Anya Taylor-Joy Takes Over in a Brutal Return to Fury Road
Cannes 2024: The fifth “Mad Max” installment contains as many vehicular stunts as a “Fast & Furious” flick but still felt at home in the Grand Theatre Lumiere at Cannes
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Cannes Day 1: Greta Gerwig’s Testy Press Conference and a Goofy Opening Movie
Plus Meryl Streep gets an honorary Palme d’Or
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‘Wild Diamond’ Review: Cannes Character Study Is Empathetic and Unforgiving
Cannes 2024: First-time director Agathe Riedinger presents social media and reality TV stardom as a pie-in-the-sky way to escape a life of poverty
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A Serious Cannes Film Festival Opens With a Goofy Comedy, ‘The Second Act’
Cannes 2024: Quentin Dupieux’s film about the making of the first AI movie is an amusing trifle, and very meta
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Cannes 2024 Red Carpet: Meryl Streep, Anya Taylor-Joy, Lily Gladstone and More Hit the Croisette | Photos
The 77th Cannes Film Festival is underway in France
By
JD Knapp