Wrap Magazine
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How ‘American Fiction’ Grew Out of Cord Jefferson’s Own Experiences of Being Piegonholed as a Black Writer
TheWrap magazine: “The subtext of all those conversations is an inability to see Black life as being as complex and dynamic and broad and deep as anybody else’s life,” Jefferson says
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How Maori Singer Stan Walker Reclaimed His Identity With a Song From Ava DuVernay’s ‘Origin’
TheWrap magazine: “Even though I’m 33 years old, I feel born again in a whole new way,” says the New Zealand singer
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Diane Warren Is Back in the Oscar Song Race, But You Probably Could Have Guessed That
TheWrap magazine: “He wants a friend,” says Warren of the Honorary Oscar she received last year after 14 nominations without a win
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How ‘Oppenheimer’ Ignited an Explosion of 70mm
TheWrap magazine: Film-school administrators and a student weigh in whether the celluloid celebration is here to stay or merely a passing fad
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How Some Film Schools Are Getting More ‘Woke’ – and Why Professors Find It ‘Kind of Wonderful’
TheWrap magazine: Administrators from top film schools weigh in on how to teach films with problematic legacies like “Gone With the Wind”
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TheWrap’s Top 50 Film Schools for 2023
TheWrap magazine: Whether you thrive on NYC energy, SoCal sunshine or pretty much anything in between, there is a film school for you
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How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’
TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education
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Why ‘Daisy Jones & the Six’ Included Songs by Industry Legends Like Barry Manilow and Patti Smith
TheWrap magazine: “We wanted to show that there were so many different genres of music in the ’70s,” music supervisor Frankie Pine says
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Norman Lear: Emmy Voters Are Still Paying Attention to the 101-Year-Old Master
TheWrap magazine: “Norman Lear: 100 Years of Music & Laughter” was designed as “the celebration of a life well lived,” executive producer Brent Miller says
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‘Succession’ Composer Nicholas Britell Says Scoring Logan Roy’s Death ‘Was Unlike Anything I’ve Done’
TheWrap magazine: The three-time Emmy nominee (also of Disney+’s “Andor”) tells TheWrap about avoiding the shadow of John Williams and more
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What Lena Waithe Learned From Mary Tyler Moore: ‘I Was Inspired to Write Timeless Television’
TheWrap magazine: The “Master of None” star served as one of the producers on the Emmy-nominated documentary “Being Mary Tyler Moore”
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Jeff Probst Tries to Explain Why ‘Survivor’ Got an Emmy Nomination After a 17-Year Shutout
TheWrap magazine: The show is finally back in the Outstanding Reality Competition Program category for the first time since 2006
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How Joni Mitchell’s PBS Special Captures the New Voice of a Musical Icon
TheWrap magazine: “It’s nothing short of a miracle that she’s back to where she is,” Emmy-nominated musical director Greg Philinganes says
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Giant Cabbage and Raining Raisins: Behind the Scenes at ‘Last Week Tonight With John Oliver’
TheWrap magazine: “It’s almost hard not to get nominated with the infrastructure they set up for you,” says director Paul Pennolino
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How Phil Dunster Finally Caught Up With His ‘Ted Lasso’ Castmates at the Emmys
TheWrap magazine: “If we suddenly made (the character) emotionally intelligent, the audience wouldn’t appreciate that,” says the first-time Emmy nominee
