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Steve Pond

Steve Pond

Position

Executive Editor, Awards

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Experience:

Steve Pond has been writing about film, music, pop culture and the entertainment industry for more than 40 years. He has served as TheWrap’s awards editor and executive editor, awards since joining the company in 2009.

Steve began his career writing about music for the Los Angeles Times, where he remained a contributor for more than 15 years, and Rolling Stone, where he was West Coast Music Editor and wrote 16 cover stories. He moved into film coverage with a weekly column in the Washington Post and became a contributing writer at Premiere magazine, where he became the first journalist to have all access to the Academy Awards show and rehearsals.

He has also written for the New York Times, Movieline, the DGA Quarterly, GQ, Playboy, the Christian Science Monitor, USA Today, New York, the Christian Science Monitor, Live! magazine and many others.

He is the author of the Los Angeles Times bestseller “The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards” (Faber and Faber, 2005). He has also written “Elvis in Hollywood” (New American Library, 1990) and contributed to books that include “Cash,” “The Rolling Stone Reader,” U2: The Rolling Stone Files,” “Bruce Springsteen: The Rolling Stone Files” and “The Rolling Stone Interviews: The 1980s.” He was the co-managing editor of the syndicated TV news program “The Industry News” and the creative consultant for the A&E series “The Inside Track With Graham Nash.”

He has won L.A. Press Club awards for stories in TheWrap, the Los Angeles Times and Playboy, and was nominated for a National Magazine Award for a story in Premiere.

Resides In:

Los Angeles

Education:

Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.

  • ‘The Life of Chuck’ Wins Toronto Film Festival’s People’s Choice Award

    TIFF 2024: The winner of the festival’s audience prize has gone on to receive an Oscar Best Picture nomination for the last 12 years in a row

    By

    Steve Pond
    September 15, 2024 @ 7:59 AM
    Report From Toronto
    7:59 AM
    ‘The Life of Chuck’ Wins Toronto Film Festival’s People’s Choice Award
  • Final Emmys 2024 Predictions: Yeah, ‘Shōgun’ and ‘The Bear’ Will Probably Win Everything

    The Creative Arts Emmys ceremonies made it clear that Television Academy voters have some solid favorites this year

    By

    Steve Pond
    September 12, 2024 @ 6:30 AM
    Awards
    6:30 AM
    Final Emmys 2024 Predictions: Yeah, ‘Shōgun’ and ‘The Bear’ Will Probably Win Everything
  • ‘William Tell’ Review: Claes Bang Anchors an Old Fashioned Epic With a Modern Sensibility

    TIFF 2024: Nick Hamm’s film is big, brutal and beautiful – over the top at times and stirring at others

    By

    Steve Pond
    September 10, 2024 @ 4:45 PM
    Movies
    4:45 PM
    ‘William Tell’ Review: Claes Bang Anchors an Old Fashioned Epic With a Modern Sensibility
  • ‘All of You’ Review: Brett Goldstein and Imogen Poots Give a Winning Rom-Com More Heart Than Expected

    TIFF 2024: William Bridges plays up the longing in a decades-spanning tale of friends who take way too long to admit their attraction

    By

    Steve Pond
    September 10, 2024 @ 1:52 PM
    Movies
    1:52 PM
    ‘All of You’ Review: Brett Goldstein and Imogen Poots Give a Winning Rom-Com More Heart Than Expected
  • Lessons From Toronto: A Skimpy Year for Movies Leaves a Wide Open Awards Race | Analysis

    TIFF 2024: Mike Leigh’s “Hard Truths” is the only clear Best Picture contender to premiere during the first four days

    By

    Steve Pond
    September 9, 2024 @ 6:05 AM
    Steve Pond
    6:05 AM
    Lessons From Toronto: A Skimpy Year for Movies Leaves a Wide Open Awards Race | Analysis
  • ‘Road Diary’ Review: Bruce Springsteen Documentary Brings Joy and Faces Loss

    TIFF 2024: Thom Zimny’s film takes the full measure of a man and a band grappling with mortality on a concert stage

    By

    Steve Pond
    September 8, 2024 @ 10:40 PM
    Steve Pond
    10:40 PM
    ‘Road Diary’ Review: Bruce Springsteen Documentary Brings Joy and Faces Loss
  • ‘The Assessment’ Review: Elizabeth Olsen and Alicia Vikander Duel in Cold Dystopian Drama

    TIFF 2024: Fleur Fortuné’s stylish film about a grim future is as rigorous and cruel as the events it depicts

    By

    Steve Pond
    September 8, 2024 @ 5:30 PM
    Steve Pond
    5:30 PM
    ‘The Assessment’ Review: Elizabeth Olsen and Alicia Vikander Duel in Cold Dystopian Drama
  • ‘The Return’ Review: Ralph Fiennes and Juliette Binoche Bring Grace and Gravity to This Ancient Greek Odyssey

    TIFF 2024: Director Uberto Pasolini’s take on Homer’s epic poem is simultaneously visceral and contemplative

    By

    Steve Pond
    September 7, 2024 @ 10:35 PM
    Steve Pond
    10:35 PM
    ‘The Return’ Review: Ralph Fiennes and Juliette Binoche Bring Grace and Gravity to This Ancient Greek Odyssey
  • ‘Pedro Parámo’ Review: Life and Death Blur Together in Haunting Mexican Drama

    TIFF 2024: Cinematographer Rodrigo Prieto makes his directorial debut with an adaptation simultaneously personal and mystical

    By

    Steve Pond
    September 7, 2024 @ 7:45 PM
    Steve Pond
    7:45 PM
    ‘Pedro Parámo’ Review: Life and Death Blur Together in Haunting Mexican Drama
  • ‘The Cut’ Review: It’s Not the Punching That Hurts Orlando Bloom, It’s the Dieting

    TIFF 2024: Bloom and Caitriona Balfe help ground a boxing drama that abandons the usual fight scenes to focus on action out of the ring

    By

    Steve Pond
    September 7, 2024 @ 9:30 AM
    Report From Toronto
    9:30 AM
    ‘The Cut’ Review: It’s Not the Punching That Hurts Orlando Bloom, It’s the Dieting
  • ‘Went Up the Hill’ Review: Vicky Krieps and Dacre Montgomery Are Chilling in Shadowy, Creepy Ghost Story

    TIFF 2024: Director Samuel Van Grinsven’s movie is spooky but steers clear of any horror movie tropes

    By

    Steve Pond
    September 7, 2024 @ 8:55 AM
    Report From Toronto
    8:55 AM
    ‘Went Up the Hill’ Review: Vicky Krieps and Dacre Montgomery Are Chilling in Shadowy, Creepy Ghost Story
  • ‘We Live in Time’ Review: Florence Pugh and Andrew Garfield Make a Perfect Movie Couple

    TIFF 2024: John Crowley’s bittersweet romance is a truly charming and surprisingly rich film

    By

    Steve Pond
    September 6, 2024 @ 10:04 PM
    Report From Toronto
    10:04 PM
    ‘We Live in Time’ Review: Florence Pugh and Andrew Garfield Make a Perfect Movie Couple
  • ‘Elton John: Never Too Late’ Review: Celebratory Doc Doesn’t Whitewash Its Troubled Rock Star

    TIFF 2024: R.J. Cutler and David Furnish’s film focuses on the first six and the last six years of John’s five-decade year career

    By

    Steve Pond
    September 6, 2024 @ 9:00 PM
    Movies
    9:00 PM
    ‘Elton John: Never Too Late’ Review: Celebratory Doc Doesn’t Whitewash Its Troubled Rock Star
  • ‘Hard Truths’ Review: Mike Leigh and Marianne Jean-Baptiste Reunite for Quiet Gem

    TIFF 2024: Leigh’s first film in six years is an almost unbearably subtle and intimate story of Black working class families

    By

    Steve Pond
    September 6, 2024 @ 7:37 PM
    Movies
    7:37 PM
    ‘Hard Truths’ Review: Mike Leigh and Marianne Jean-Baptiste Reunite for Quiet Gem
  • ‘Nutcrackers’ Review: Ben Stiller Makes Acting Return to Roll in the Mud, Pull Heartstrings With Unruly Kids

    TIFF 2024: David Gordon Green’s comedy is sappy as heck and not as funny as you’d expect, but it sure does have heart

    By

    Steve Pond
    September 5, 2024 @ 6:55 PM
    Reviews
    6:55 PM
    ‘Nutcrackers’ Review: Ben Stiller Makes Acting Return to Roll in the Mud, Pull Heartstrings With Unruly Kids
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