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Steve Pond

Steve Pond

Position

Executive Editor, Awards

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Experience:

Steve Pond has been writing about film, music, pop culture and the entertainment industry for more than 40 years. He has served as TheWrap’s awards editor and executive editor, awards since joining the company in 2009.

Steve began his career writing about music for the Los Angeles Times, where he remained a contributor for more than 15 years, and Rolling Stone, where he was West Coast Music Editor and wrote 16 cover stories. He moved into film coverage with a weekly column in the Washington Post and became a contributing writer at Premiere magazine, where he became the first journalist to have all access to the Academy Awards show and rehearsals.

He has also written for the New York Times, Movieline, the DGA Quarterly, GQ, Playboy, the Christian Science Monitor, USA Today, New York, the Christian Science Monitor, Live! magazine and many others.

He is the author of the Los Angeles Times bestseller “The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards” (Faber and Faber, 2005). He has also written “Elvis in Hollywood” (New American Library, 1990) and contributed to books that include “Cash,” “The Rolling Stone Reader,” U2: The Rolling Stone Files,” “Bruce Springsteen: The Rolling Stone Files” and “The Rolling Stone Interviews: The 1980s.” He was the co-managing editor of the syndicated TV news program “The Industry News” and the creative consultant for the A&E series “The Inside Track With Graham Nash.”

He has won L.A. Press Club awards for stories in TheWrap, the Los Angeles Times and Playboy, and was nominated for a National Magazine Award for a story in Premiere.

Resides In:

Los Angeles

Education:

Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.

  • ‘From Darkness to Light’ Review: Documentary Proves That Yes, Jerry Lewis’ Holocaust Movie Really Was Terrible

    Venice Film Festival: Michael Lurie and Eric Friedler’s film breaks down the tortured journey of “The Day the Clown Cried”

    By

    Steve Pond
    September 1, 2024 @ 7:45 AM
    Steve Pond
    7:45 AM
    ‘From Darkness to Light’ Review: Documentary Proves That Yes, Jerry Lewis’ Holocaust Movie Really Was Terrible
  • ‘Martha’ Review: Don’t Expect Martha Stewart to Get All Emotional in Her New Documentary

    Telluride Film Festival: R.J. Cutler gets around the walls erected by his subject in a doc about the iconic lifestyle maven

    By

    Steve Pond
    August 31, 2024 @ 7:55 PM
    Report From Telluride
    7:55 PM
    ‘Martha’ Review: Don’t Expect Martha Stewart to Get All Emotional in Her New Documentary
  • ‘The End’ Review: Are You Ready for a Post-Apocalyptic Musical? Tilda Swinton Is

    Telluride Film Festival: Joshua Oppenheimer’s dystopian toe-tapper joins “Emilia Perez” and “Joker: Folie à Deux” as one of the weirdest triptychs in recent cinema

    By

    Steve Pond
    August 31, 2024 @ 5:28 PM
    Report From Telluride
    5:28 PM
    ‘The End’ Review: Are You Ready for a Post-Apocalyptic Musical? Tilda Swinton Is
  • ‘The Friend’ Review: Naomi Watts, Bill Murray and a Big Dog Explore Love and Loss

    Telluride Film Festival: The film from David Siegel and Scott McGehee is suffused with a sadness that it aims to carry lightly

    By

    Steve Pond
    August 30, 2024 @ 9:34 PM
    Report From Telluride
    9:34 PM
    ‘The Friend’ Review: Naomi Watts, Bill Murray and a Big Dog Explore Love and Loss
  • ‘One to One: John & Yoko’ Review: Odd, Chaotic Documentary Explores a Dizzying Time for John Lennon

    Venice 2024: The filmmakers have made a bracing, scattered and somewhat revelatory look at a period that’ll go down as a misstep for the Smart Beatle

    By

    Steve Pond
    August 30, 2024 @ 4:55 AM
    Report From Venice
    4:55 AM
    ‘One to One: John & Yoko’ Review: Odd, Chaotic Documentary Explores a Dizzying Time for John Lennon
  • ‘September 5’ Review: Can Journalists Be the Heroes in a Story of Deadly Terrorism?

    Venice Film Festival: Tim Fehlbaum’s drama about the massacre at the 1972 Munich Olympics finds strength in dark rooms, unlikely protagonists and moral dilemmas

    By

    Steve Pond
    August 29, 2024 @ 12:05 PM
    Report From Venice
    12:05 PM
    ‘September 5’ Review: Can Journalists Be the Heroes in a Story of Deadly Terrorism?
  • ‘Maria’ Review: Angelina Jolie Embraces the Crazy in Dreamlike Maria Callas Drama

    Venice Film Festival: Pablo Larraín follows his films about Jackie Kennedy and Princess Diana with another dark fantasia about an iconic woman

    By

    Steve Pond
    August 29, 2024 @ 10:50 AM
    Report From Venice
    10:50 AM
    ‘Maria’ Review: Angelina Jolie Embraces the Crazy in Dreamlike Maria Callas Drama
  • Telluride Film Festival to Include ‘The Piano Lesson,’ ‘Conclave,’ ‘Saturday Night’

    The lineup will also feature “The End,” “Nickel Boys” and the documentaries “Martha” and “Piece by Piece”

    By

    Steve Pond
    August 29, 2024 @ 8:01 AM
    Report From Telluride
    8:01 AM
    Telluride Film Festival to Include ‘The Piano Lesson,’ ‘Conclave,’ ‘Saturday Night’
  • ‘Separated’ Review: Errol Morris Pumps Up the Drama in His Story of Trump’s Border Policies

    Venice Film Festival: The documentary filmmaker creates a curious hybrid by mixing nonfiction techniques with a fictional storyline

    By

    Steve Pond
    August 29, 2024 @ 5:05 AM
    Report From Venice
    5:05 AM
    ‘Separated’ Review: Errol Morris Pumps Up the Drama in His Story of Trump’s Border Policies
  • Fall Film Festivals Struggle to Regain Their Mojo as Awards Season Launching Pads

    After three years in which the Best Picture winner skipped Venice, Telluride and Toronto, the once-mighty fests would like to matter to awards voters  

    By

    Steve Pond
    August 28, 2024 @ 6:15 AM
    Awards
    6:15 AM
    Fall Film Festivals Struggle to Regain Their Mojo as Awards Season Launching Pads
  • Inside the Black-and-White Look of ‘Ripley’: Luxury, Danger and a Whole Lot of Stairs

    TheWrap magazine: “In the old days, I might have had a panic attack,” says production designer David Gropman of the miniseries’ scale and complexity

    By

    Steve Pond
    August 21, 2024 @ 7:10 AM
    TV
    7:10 AM
    Inside the Black-and-White Look of ‘Ripley’: Luxury, Danger and a Whole Lot of Stairs
  • Here Are All the Ways John Hawkes Was Wrong About His Emmy-Nominated Role in ‘True Detective’

    TheWrap magazine: The “Night Country” actor admits he resisted showrunner Issa López’s ideas for his character and the song he performs on the HBO limited series

    By

    Steve Pond
    August 20, 2024 @ 8:00 AM
    Awards
    8:00 AM
    Here Are All the Ways John Hawkes Was Wrong About His Emmy-Nominated Role in ‘True Detective’
  • In Praise of the Emmys’ Poor TV Movie Category

    Limited series got a total of 100 Emmy nominations this year; television movies got 5

    By

    Steve Pond
    August 19, 2024 @ 11:43 PM
    Awards
    11:43 PM
    In Praise of the Emmys’ Poor TV Movie Category
  • Juno Temple Had No Time to Grieve ‘Ted Lasso’ Before Starting ‘Fargo’: ‘It Was Kind of a Blessing’

    TheWrap magazine: The actress goes deep on the complexity of her “Fargo” character and that “profoundly beautiful” ending

    By

    Steve Pond
    August 19, 2024 @ 10:30 AM
    Awards
    10:30 AM
    Juno Temple Had No Time to Grieve ‘Ted Lasso’ Before Starting ‘Fargo’: ‘It Was Kind of a Blessing’
  • How ‘Finding Your Roots’ Fights Racism ‘One Family Tree at a Time’

    TheWrap magazine: “We truly are a nation of immigrants,” says host Dr. Henry Louis Gates, Jr. in the aftermath of the PBS program’s first Emmy nomination

    By

    Steve Pond
    August 19, 2024 @ 8:00 AM
    Awards
    8:00 AM
    How ‘Finding Your Roots’ Fights Racism ‘One Family Tree at a Time’
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