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‘The Substance’ Review: Demi Moore and Margaret Qualley Make Coralie Fargeat’s Sci-Fi Body Horror Double the Fun
Cannes 2024: The festival’s most audacious horror film is sure to send more squeamish audiences running for the exits
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‘Universal Language’ Review: Matthew Rankin’s Wonderfully Absurdist Vision Is Mirthful and Melancholic
Cannes 2024: This audacious comedy is as delightfully funny as it is subtly reflective
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‘An Unfinished Film’ Review: This Pandemic Portrait of Moviemaking, Loss and Community Is Crushing
Cannes 2024: Lou Ye’s latest film is one of the few about the pandemic to get it right
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‘Bird’ Review: Andrea Arnold’s Arresting, Surreal Drama Soars
Cannes 2024: Franz Rogowski and Nykiya Adams anchor a touching coming-of-age tale with a big swing
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‘The Girl With the Needle’ Review: Magnus von Horn and Vic Carmen Sonne Cast a Shattering Spell in Haunting Historical Drama
Cannes 2024: With a killer score and stunning visuals, this film descends into darkness
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Cannes: Meryl Streep Says Male Studio Execs Struggle to ‘See Themselves’ in Female Protagonists
“I’ve said this 150,000 times, the hardest thing is for a male to live through the female in a movie who’s the lead,” the actress said at a Q&A at the Cannes Film Festival
