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Elizabeth Weitzman

  • ‘Driven’ Film Review: DeLorean Tale Offers a Fun Ride But No Memorable Destination

    Lee Pace’s fine acting work as the controversial car magnate is overpowered by the hair and makeup departments

    By

    Elizabeth Weitzman
    August 15, 2019 @ 9:49 AM
    Reviews
    9:49 AM
    ‘Driven’ Film Review: DeLorean Tale Offers a Fun Ride But No Memorable Destination
  • ‘Where’d You Go, Bernadette’ Film Review: Cate Blanchett Stars in a Diverting But Overly Streamlined Adaptation

    Fans of Maria Semple’s novel might not like the changes, but there’s plenty here to charm viewers new to the story

    By

    Elizabeth Weitzman
    August 14, 2019 @ 6:00 PM
    Reviews
    6:00 PM
    ‘Where’d You Go, Bernadette’ Film Review: Cate Blanchett Stars in a Diverting But Overly Streamlined Adaptation
  • ‘Vision Portraits’ Film Review: Visually Impaired Filmmaker Explores Artists Working Without Sight

    Director Rodney Evans (“Brother to Brother”) examines how writers, dancers and even photographers create through their blindness

    By

    Elizabeth Weitzman
    August 7, 2019 @ 12:51 PM
    Reviews
    12:51 PM
    ‘Vision Portraits’ Film Review: Visually Impaired Filmmaker Explores Artists Working Without Sight
  • ‘The Mountain’ Film Review: Jeff Goldblum Plays an Authoritative Lobotomist in 1950s-Set Drama

    Writer-director Rick Alverson’s portrait of toxic conformity occasionally feels guilty of what it seeks to expose

    By

    Elizabeth Weitzman
    July 25, 2019 @ 12:09 PM
    Reviews
    12:09 PM
    ‘The Mountain’ Film Review: Jeff Goldblum Plays an Authoritative Lobotomist in 1950s-Set Drama
  • ‘Sword of Trust’ Film Review: Marc Maron’s Masterful Turn Exposes the Deep Roots of Lynn Shelton’s Comedy

    Shelton’s caper about a sought-after Confederate relic feels breezy but has a lot to say about the current politically-charged moment

    By

    Elizabeth Weitzman
    July 11, 2019 @ 7:45 AM
    Reviews
    7:45 AM
    ‘Sword of Trust’ Film Review: Marc Maron’s Masterful Turn Exposes the Deep Roots of Lynn Shelton’s Comedy
  • ‘Annabelle Comes Home’ Film Review: Horror Sequel Conjures Up Barely Any Real Scares

    Apart from a few performances (notably Mckenna Grace’s), this third “Annabelle” outing is a lifeless catalog of ineffective spooky stuff

    By

    Elizabeth Weitzman
    June 24, 2019 @ 2:00 PM
    Reviews
    2:00 PM
    ‘Annabelle Comes Home’ Film Review: Horror Sequel Conjures Up Barely Any Real Scares
  • ‘Child’s Play’ Film Review: The Old Doll’s Still Got a Little Life in New Reboot

    Chucky (now voiced by Mark Hamill) is more interesting as a sociopath-in-training than as the third-act slasher he becomes

    By

    Elizabeth Weitzman
    June 20, 2019 @ 9:00 AM
    Reviews
    9:00 AM
    ‘Child’s Play’ Film Review: The Old Doll’s Still Got a Little Life in New Reboot
  • ‘Framing John DeLorean’ Review: Meta-Doc Takes Various Tracks to Explore What Drove the Carmaker

    Tribeca 2019: Alec Baldwin’s re-enactments don’t work at all, but the film achieves truthfulness when it sticks to traditional documentary

    By

    Elizabeth Weitzman
    June 5, 2019 @ 8:35 AM
    Report From Tribeca
    8:35 AM
    ‘Framing John DeLorean’ Review: Meta-Doc Takes Various Tracks to Explore What Drove the Carmaker
  • ‘Mouthpiece’ Review: Two Actresses Bring One Woman’s Duality to Life

    Patricia Rozema adapts an acclaimed theater piece into a powerful examination of women’s internal and external conflicts

    By

    Elizabeth Weitzman
    May 30, 2019 @ 1:22 PM
    Reviews
    1:22 PM
    ‘Mouthpiece’ Review: Two Actresses Bring One Woman’s Duality to Life
  • ‘Woodstock’ Film Review: Anniversary Doc Takes Boomers on an Evocative Trip Down Memory Lane

    Tribeca 2019: Those “Three Days That Defined a Generation” get another look in a movie that pales next to the 1970 classic concert film

    By

    Elizabeth Weitzman
    May 22, 2019 @ 8:20 AM
    Report From Tribeca
    8:20 AM
    ‘Woodstock’ Film Review: Anniversary Doc Takes Boomers on an Evocative Trip Down Memory Lane
  • ‘You Don’t Nomi’ Film Review: Documentary Asks, Were We Too Hard on Camp Classic ‘Showgirls’?

    Tribeca 2019: Jeffrey McHale’s feature debut works awfully hard to justify both its subject and its mission

    By

    Elizabeth Weitzman
    April 29, 2019 @ 4:07 PM
    Report From Tribeca
    4:07 PM
    ‘You Don’t Nomi’ Film Review: Documentary Asks, Were We Too Hard on Camp Classic ‘Showgirls’?
  • ‘Red Joan’ Review: Not Enough Drama, or Enough Judi Dench, in British Spy Story

    Director Trevor Nunn finds no passion, intrigue or motivation in this based-on-a-true-story tale of espionage

    By

    Elizabeth Weitzman
    April 18, 2019 @ 12:03 PM
    Reviews
    12:03 PM
    ‘Red Joan’ Review: Not Enough Drama, or Enough Judi Dench, in British Spy Story
  • ‘Stockholm’ Film Review: Ethan Hawke and Noomi Rapace Connect in Uneven Heist-Biopic

    She’s dignified and he’s mischievous in a film that explores the origins of the Stockholm syndrome

    By

    Elizabeth Weitzman
    April 10, 2019 @ 11:42 AM
    Reviews
    11:42 AM
    ‘Stockholm’ Film Review: Ethan Hawke and Noomi Rapace Connect in Uneven Heist-Biopic
  • ‘Working Woman’ Film Review: Israeli Sexual-Harassment Drama Delivers Powerful Sting of Truth

    Michal Aviad’s intense film explores #MeToo power dynamics between a working wife and a powerful real-estate mogul

    By

    Elizabeth Weitzman
    March 26, 2019 @ 9:16 AM
    Reviews
    9:16 AM
    ‘Working Woman’ Film Review: Israeli Sexual-Harassment Drama Delivers Powerful Sting of Truth
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