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Reviews

  • ‘Time Cut’ Review: Netflix’s ‘Back to the Future’-Style Slasher Is a Knockoff of a Knockoff

    By

    William Bibbiani
    October 30, 2024 @ 3:17 PM
    Movies
    3:17 PM
    ‘Time Cut’ Review: Netflix’s ‘Back to the Future’-Style Slasher Is a Knockoff of a Knockoff
  • ‘The Diplomat’ Season 2 Review: Keri Russell Battles Shifting Power Dynamics in Netflix Drama’s Excellent Return

    Last year’s explosive cliffhanger raises the stakes as Debora Cahn’s political thriller keeps getting better

    By

    Thelma Adams
    October 30, 2024 @ 6:00 AM
    TV
    6:00 AM
    ‘The Diplomat’ Season 2 Review: Keri Russell Battles Shifting Power Dynamics in Netflix Drama’s Excellent Return
  • ‘Juror #2’ Review: Clint Eastwood’s Taut, Understated Courtroom Drama Ends Up a Mistrial

    The movie overcomes a difficult-to-swallow premise with unsentimental filmmaking and a fine lead performance from Nicholas Hoult before being dismissed on technicalities

    By

    Michael Ordoña
    October 29, 2024 @ 5:06 PM
    Reviews
    5:06 PM
    ‘Juror #2’ Review: Clint Eastwood’s Taut, Understated Courtroom Drama Ends Up a Mistrial
  • ‘Wallace and Gromit: Vengeance Most Fowl’ Review: Feathers McGraw Returns in a Hysterical Sequel

    The Netflix follow up to Aardman Animation’s “The Wrong Trousers” boasts great heroes, a great villain and just the right amount of whimsy

    By

    William Bibbiani
    October 27, 2024 @ 3:30 PM
    Movies
    3:30 PM
    ‘Wallace and Gromit: Vengeance Most Fowl’ Review: Feathers McGraw Returns in a Hysterical Sequel
  • ‘Here’ Review: Robert Zemeckis’ One-Location Drama Is a Mawkish ‘Forrest Gump’ Reunion

    Robert Zemeckis, Tom Hanks and Robin Wright reunite for, essentially, a high-tech museum diorama

    By

    William Bibbiani
    October 26, 2024 @ 1:44 PM
    Movies
    1:44 PM
    ‘Here’ Review: Robert Zemeckis’ One-Location Drama Is a Mawkish ‘Forrest Gump’ Reunion
  • ‘Don’t Move’ Review: It’s Survival of the Stiffest in Netflix’s High Concept Thriller

    Finn Wittrock and Kelsey Asbille star in a petrifying Hitchcockian experiment that mostly works

    By

    William Bibbiani
    October 25, 2024 @ 9:38 AM
    Movies
    9:38 AM
    ‘Don’t Move’ Review: It’s Survival of the Stiffest in Netflix’s High Concept Thriller
  • ‘Romeo + Juliet’ Broadway Review: Rachel Zegler Sings, Kit Connor Strips

    The kids aren’t all right in Sam Gold’s feisty new take on the Bard’s star-crossed lovers

    By

    Robert Hofler
    October 25, 2024 @ 6:10 AM
    Theater
    6:10 AM
    ‘Romeo + Juliet’ Broadway Review: Rachel Zegler Sings, Kit Connor Strips
  • ‘Canary Black’ Review: Hackneyed Kate Beckinsale Thriller Has the Canary Blahs

    “Taken” director Pierre Morel returns with a tired, cookie-cutter kidnapping thriller

    By

    William Bibbiani
    October 24, 2024 @ 3:30 PM
    Movies
    3:30 PM
    ‘Canary Black’ Review: Hackneyed Kate Beckinsale Thriller Has the Canary Blahs
  • ‘Music by John Williams’ Review: An Unabashed Celebration of One of Cinema’s Greatest Composers

    There are worse ways to spend 104 minutes than people praising the legendary man behind the scores of “Star Wars” and “Jaws”

    By

    Matt Goldberg
    October 23, 2024 @ 9:30 PM
    Movies
    9:30 PM
    ‘Music by John Williams’ Review: An Unabashed Celebration of One of Cinema’s Greatest Composers
  • ‘Left on Tenth’ Broadway Review: Julianna Margulies Explores Love and Leukemia

    Delia Ephron’s memoir is now a play that captures perfectly the tedium of life in a hospital bed

    By

    Robert Hofler
    October 23, 2024 @ 5:30 PM
    Theater
    5:30 PM
    ‘Left on Tenth’ Broadway Review: Julianna Margulies Explores Love and Leukemia
  • ‘Venom: The Last Dance’ Review: Tom Hardy Can’t Save Plot-Heavy Sequel

    Sony’s third “Venom” movie largely abandons the weirdness that made the first two films enjoyable

    By

    William Bibbiani
    October 23, 2024 @ 12:00 PM
    Reviews
    12:00 PM
    ‘Venom: The Last Dance’ Review: Tom Hardy Can’t Save Plot-Heavy Sequel
  • ‘Conclave’ Review: A Fantastic Ralph Fiennes Leads a Pulpy, Hit-and-Miss Papal Mystery

    John Lithgow, Stanley Tucci and Isabella Rossellini are also immaculate, but Edward Berger’s lofty ambitions falter

    By

    William Bibbiani
    October 22, 2024 @ 11:57 AM
    Movies
    11:57 AM
    ‘Conclave’ Review: A Fantastic Ralph Fiennes Leads a Pulpy, Hit-and-Miss Papal Mystery
  • ‘Drag: The Musical’ Off Broadway Review: When Boys Just Want to Have Fun

    There’s nothing here that couldn’t be fixed with a little open-heart surgery

    By

    Robert Hofler
    October 21, 2024 @ 7:00 PM
    Theater
    7:00 PM
    ‘Drag: The Musical’ Off Broadway Review: When Boys Just Want to Have Fun
  • ‘What We Do in the Shadows’ Season 6 Review: FX’s Hilarious Vampire Saga Sets the Stage for Monster Finale

    Jemaine Clement and Taika Waititi keep us guessing on how the mockumentary comedy will wrap up with its final 10 episodes

    By

    Bob Strauss
    October 21, 2024 @ 8:30 AM
    TV
    8:30 AM
    ‘What We Do in the Shadows’ Season 6 Review: FX’s Hilarious Vampire Saga Sets the Stage for Monster Finale
  • ‘That Christmas’ Review: Netflix and Richard Curtis Sure Have Made Some Content

    The new animated holiday film from the writer of “Love Actually” is, actually, just OK

    By

    William Bibbiani
    October 19, 2024 @ 2:15 PM
    Movies
    2:15 PM
    ‘That Christmas’ Review: Netflix and Richard Curtis Sure Have Made Some Content
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