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Report From Toronto

  • John David Washington Says Taking ‘The Piano Lesson’ From Broadway to Netflix Was ‘A Liberating Experience’ | Wrap Studio

    By

    Benjamin Lindsay
    September 18, 2024 @ 6:05 PM
    Movies
    6:05 PM
    John David Washington Says Taking ‘The Piano Lesson’ From Broadway to Netflix Was ‘A Liberating Experience’ | Wrap Studio
  • Maria Bakalova Says Stranger Than Fiction Film ‘Triumph’ Is Somewhere Between a Satire and a Tragedy: ‘It Provokes Conversations’ | Wrap Studio

    TIFF 2024: The film follows a group of Bulgarian army officers searching for an alien artifact in the 1990s

    By

    Adam Chitwood
    September 18, 2024 @ 4:21 PM
    Movies
    4:21 PM
    Maria Bakalova Says Stranger Than Fiction Film ‘Triumph’ Is Somewhere Between a Satire and a Tragedy: ‘It Provokes Conversations’ | Wrap Studio
  • ‘The Life of Chuck’ Wins Toronto Film Festival’s People’s Choice Award

    TIFF 2024: The winner of the festival’s audience prize has gone on to receive an Oscar Best Picture nomination for the last 12 years in a row

    By

    Steve Pond
    September 15, 2024 @ 7:59 AM
    Report From Toronto
    7:59 AM
    ‘The Life of Chuck’ Wins Toronto Film Festival’s People’s Choice Award
  • ‘The Deb’ Review: Rebel Wilson’s Messy Musical Directorial Debut Is No ‘Pitch Perfect’

    Toronto Film Festival: For every joke that lands and song that soars, many more fall flat

    By

    Chase Hutchinson
    September 14, 2024 @ 6:09 PM
    Report From Toronto
    6:09 PM
    ‘The Deb’ Review: Rebel Wilson’s Messy Musical Directorial Debut Is No ‘Pitch Perfect’
  • ‘Happyend’ Review: Neo Sora’s Fiction Feature Debut Is a Poetic Portrait of Youth in Crisis

    TIFF 2024: The kids are more than alright – though their world is not in this incisive film

    By

    Chase Hutchinson
    September 14, 2024 @ 2:39 PM
    Movies
    2:39 PM
    ‘Happyend’ Review: Neo Sora’s Fiction Feature Debut Is a Poetic Portrait of Youth in Crisis
  • ‘Superboys of Malegaon’ Review: Bollywood Dreams Make and Break Filmmaking Friends

    Toronto Film Festival: Crowd-pleasing biopic tells true story of an Indian city turned unlikely movie set

    By

    Elizabeth Weitzman
    September 14, 2024 @ 11:00 AM
    Report From Toronto
    11:00 AM
    ‘Superboys of Malegaon’ Review: Bollywood Dreams Make and Break Filmmaking Friends
  • ‘Shell’ Review: Elisabeth Moss’ So-So Body Horror Wishes It Were ‘The Substance’

    TIFF 2024: It’s a shame for Max Minghella’s feature that it’s coming out after Coralie Fargeat’s Cannes darling

    By

    Chase Hutchinson
    September 12, 2024 @ 8:10 PM
    Movies
    8:10 PM
    ‘Shell’ Review: Elisabeth Moss’ So-So Body Horror Wishes It Were ‘The Substance’
  • ‘Harvest’ Production Crew Sowed the Very Field Seen in the Movie Prior to Filming: ‘It Was an Entire Process’ | Wrap Studio

    TIFF 2024: “Which hadn’t been touched in like 400 years or something,” star Caleb Landry Jones adds

    By

    Raquel 'Rocky' Harris
    September 12, 2024 @ 5:00 PM
    News
    5:00 PM
    ‘Harvest’ Production Crew Sowed the Very Field Seen in the Movie Prior to Filming: ‘It Was an Entire Process’ | Wrap Studio
  • ‘Hold Your Breath’ Review: Sarah Paulson Unravels in a Horror Movie That Slips Away

    TIFF 2024: Don’t hold your breath if you’re hoping for substance in this film

    By

    Chase Hutchinson
    September 12, 2024 @ 4:34 PM
    Movies
    4:34 PM
    ‘Hold Your Breath’ Review: Sarah Paulson Unravels in a Horror Movie That Slips Away
  • ‘Don’t Let’s Go to the Dogs Tonight’ Director Explains Why Using a Child’s POV ‘Cracked the Code’ for the Story | Wrap Studio

    TIFF 2024: “She could say what she really thought. She could say the outrageous things that other people maybe wouldn’t say,” Embeth Davidtz tells TheWrap

    By

    Andi Ortiz
    September 12, 2024 @ 4:30 PM
    Report From Toronto
    4:30 PM
    ‘Don’t Let’s Go to the Dogs Tonight’ Director Explains Why Using a Child’s POV ‘Cracked the Code’ for the Story | Wrap Studio
  • Uberto Pasolini Wanted No Gods or Monsters, Only Odysseus, in ‘The Return’ | Wrap Studio

    TIFF 2024: Ralph Fiennes and Juliette Binoche star in a new adaptation of Homer’s “Odyssey” that focuses on the human element of the Greek epic

    By

    Jeremy Fuster
    September 12, 2024 @ 3:30 PM
    Report From Toronto
    3:30 PM
    Uberto Pasolini Wanted No Gods or Monsters, Only Odysseus, in ‘The Return’ | Wrap Studio
  • TIFF Suspends ‘Russians at War’ Doc Screenings, Citing Threats to Public Safety

    “This is an unprecedented move,” a spokesperson for the Toronto International Film Festival says

    By

    Benjamin Lindsay
    September 12, 2024 @ 2:34 PM
    Movies
    2:34 PM
    TIFF Suspends ‘Russians at War’ Doc Screenings, Citing Threats to Public Safety
  • ‘Meet the Barbarians’ Director Julie Delpy Breaks Down How She Balanced a Comedic Tone With a Refugee Crisis Story | Wrap Studio

    TIFF 2024: “You have to find the right dosage,” she tells TheWrap — “If you show people dying under a bomb, it’s very hard to come back from that”

    By

    Andi Ortiz
    September 12, 2024 @ 2:30 PM
    Report From Toronto
    2:30 PM
    ‘Meet the Barbarians’ Director Julie Delpy Breaks Down How She Balanced a Comedic Tone With a Refugee Crisis Story | Wrap Studio
  • ‘Riff Raff’ Star Ed Harris Says Dito Montiel’s Dark Comedy Is ‘Dangerous,’ ‘Liberating’ | Wrap Studio

    TIFF 2024: The actor plays a former criminal whose life is thrown into turmoil when his ex-wife shows up

    By

    Sharon Knolle
    September 12, 2024 @ 2:00 PM
    Report From Toronto
    2:00 PM
    ‘Riff Raff’ Star Ed Harris Says Dito Montiel’s Dark Comedy Is ‘Dangerous,’ ‘Liberating’ | Wrap Studio
  • ‘Emilia Pérez’ Star Karla Sofía Gascón Explains Why She Jumped at the Chance to Play a Trans Drug Lord | Wrap Studio

    TIFF 2024: The actress praises director Jacques Audiard for the Netflix film that also stars Zoë Saldaña and Selena Gomez

    By

    Jeremy Fuster
    September 12, 2024 @ 12:51 PM
    Movies
    12:51 PM
    ‘Emilia Pérez’ Star Karla Sofía Gascón Explains Why She Jumped at the Chance to Play a Trans Drug Lord | Wrap Studio
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